One of the things I greatly appreciate about photography is the way that the various things in our life have a way of entering into the melting pots of our creativity. There they bubble and mix, waiting for that moment to interact with the real world. It's this meeting of two worlds that makes creativity so fleeting and spontaneous, hard to replicate or predict. Ansel Adams said a couple of things around this topic "You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved." and "When I'm ready to make a photograph... I quite obviously see in my mind's eye something that is not literally there... I'm interested in something which is built up from within, rather than just extracted from without."
When the others pointed out this tree, faintly glowing in the darkness, it reminded me of some of the stories I have heard about Michael Kenna. Of the intersection between light and dark in the night. About simplicity and complexity. About creating a stage that draws your viewer in, encourages them to wander around the scene.
With these thoughts hinting suggestions in my mind I setup the camera and gave it a go. It wasn't long till the first hurdle appeared. This might not come as a surprise to many but it was dark, our vision is extraordinary, but focusing in such dim conditions is hard. In the end I was very thankful for the focusing markings on the lens, which helped me guesstimate the correct focus. To further insure the resulting image would be sharp, I increased the aperture to F11, giving me plenty of wiggle room. When I made the first test image, the tree trunk look sharp enough, but the overall image was underexposed.
In the end I settled on a square format, to give the eye plenty of freedom to wander, then increased the exposure time by a few stops to correctly expose the scene. With the night getting late and still a bit of hike to the car, I quickly checked the second exposure then packed up. It wasn't till I got home that I found the hidden surprise in the image. The star streaks in the night hint add a beautiful finishing touch to the image, and hint at the length of the exposure. At nearly 180 seconds (ISO 200) the stars have been rendered as curved streaks of light across the sky.
Thanks guys and gals for a great night out and for a camera club, full of great people. Have a great week and good light.
Some times processing images is easy. Some images take a little more. A little more time, thought and exploration. Maybe it takes time to let the initial thoughts and ideas you have about the images fade. To allow new ideas to creep in, new possibilities.
This image was captured last summer, but due a whole lot of reasons, I am still working through these and many other images. This year has been one of change and new beginnings, of investing in things which are important, and enjoying the rewards from it. Some things do happen in a hundredth of a second, to use an old quote, but some take much longer. Still it gives you time to ask questions, consider and choose what you think feels best.
The image above has many possibilities, a faster shutter speed would have yielded quite a different result. On the other hand I could have used a really long exposure to soften the water to mist. But the emotion that I felt, the thought which stayed in my mind, was of how the water surged and flowed. Pushing me away from the wharf piles, all broken and worn. Yet for all its power, the sea had not won, not yet. These piles stand as a reminder of the past, of a river port that was once the busiest in the area. Of a young nation trying to make its way in the world. Of the bounty and productivity of the region.
With better roads, trucks and larger ships, little ports like this have had their time but that doesn't mean that they should be forgotten. They will fade, as all memories do, but not yet!
Cameras are great at capturing what is in front of them, technically the challenge is getting easier and easier. But a photo can be much more than that. I don't know if you have heard the expression, "Shoot what you feel, not just what you see", but it is great advice if you want your images to be more interesting. But I think the expression continues into the phases after you press the shutter release. "Process what you feel", bring out what you felt, the mood, the emotion, the drama. But how do you do that? Sometimes I know what I want but can't quite get there, that is when I use this method.
With a hot summer, comes thunderstorms. When the day starts out humid, the temperature soars to 28 by 10am, and thunderstorms watches are issued, you know you could be in for a stormy day. Too soon the sky went dark with the first wave of thunderstorms, and the thunder begins to shake the clouds. A heavy downpour did little to drop the temperature, and even after the rumbles continued. All this before 1pm?